{"version":"1.0","provider_name":"\u30ad\u30fc\u30d7\u30fb\u30b6\u30fb\u30bd\u30eb\u30c8\u8a8c","provider_url":"https:\/\/www.houhetzout.nl\/ja","author_name":"hhz","author_url":"https:\/\/www.houhetzout.nl\/ja\/author\/hhz\/","title":"'It's Nasty': de sound van vroege jaren '80 hiphop","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"oSZRaarC5b\"><a href=\"https:\/\/www.houhetzout.nl\/ja\/its-nasty-sound-vroege-jaren-80-hiphop\/\">\u2018\u30a4\u30c3\u30c4\u30fb\u30ca\u30b9\u30c6\u30a3\u300d\uff1a80\u5e74\u4ee3\u521d\u671f\u306e\u30d2\u30c3\u30d7\u30db\u30c3\u30d7\u30fb\u30b5\u30a6\u30f3\u30c9<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.houhetzout.nl\/ja\/its-nasty-sound-vroege-jaren-80-hiphop\/embed\/#?secret=oSZRaarC5b\" width=\"600\" height=\"338\" title=\"&#8220;&#8216;It&#8217;s Nasty&#8217;: de sound van vroege jaren &#8217;80 hiphop&#8221; &#8212; Hou Het Zout Magazine\" data-secret=\"oSZRaarC5b\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.houhetzout.nl\/wp-includes\/js\/wp-embed.min.js\n<\/script>","thumbnail_url":"https:\/\/www.houhetzout.nl\/wp-content\/uploads\/2026\/03\/image-8-768x419.jpg","thumbnail_width":600,"thumbnail_height":327,"description":"In 1981 dropte Grandmaster Flash &#038; The Furious Five de track &#8216;It&#8217;s Nasty (Genius of Love)&#8217;, een absolute gamechanger in de hiphopscene. Deze track was de voorloper van hun legendarische album &#8216;The Message&#8217;, dat in 1982 uitkwam. &#8216;It&#8217;s Nasty&#8217; is een zoutige track die de vibe van de vroege jaren &#8217;80 perfect vastlegt. De groep gebruikte samples van &#8216;Genius of Love&#8217; van Tom Tom Club en &#8216;Fanfare for the Common Man&#8217; van Aaron Copland, wat resulteerde in een unieke sound die de hiphopgame op zijn kop zette. De track werd geproduceerd door Sylvia Robinson en uitgebracht op Sugar Hill Records. Het was een van de eerste nummers waarin turntablism en [&hellip;]"}